About twenty-five years ago I stopped composing at the keyboard and switched over to fountain pen on paper. Since then I have written many thousands of pages that way. The manuscript of The Baroque Cycle was a stack of handwritten pages 42 inches high, which for a time was on display at the Museum of Science Fiction in Seattle. With the exception of The Rise and Fall of D.O.D.O., which I co-wrote with Nicole Galland by emailing Word files back and forth, every book I’ve written since then has been composed with fountain pen on paper.



I don’t think he does that himself.
Um. That’s not how writing by hand works - it’s not meant to look good. You can scratch out, squeeze in, re-number pages, add asterisks, even cut into pieces, as the story requires.